This account of the perilous, unremitting battles between Stalin and Shostakovich charts an engrossing history which extends well beyond the book’s protagonists. Lacking incisive political perspective, Volkov nonetheless unearths a wealth of detail on the whole structure of state-regulated cultural production during the Stalin era. With disaster an ever-present threat, figures such as Shostakovich, Eisenstein and Pasternak engaged in a compex set of cat-and-mouse relations: often barely surviving through a combination of guile and Stalin’s uncertain desire for international recognition. Incorporating fascinating analysis of Shostakovich’s key works, Volkov’s readable fusion of the musicological and the social is a clear success. AB
Little, Brown and Company; 2004; 384 pages